By Jamie Ruby
Many people may know of Jason Isaacs because of his portrayal of the villain Lucius Malfoy in the Harry Potter series. The British actor, however, has a long list of credits to his name. He has appeared on film in other hit movies such as Dragonheart, Armageddon, The Patriot, Black Hawk Down, and last year's Abduction. He has also appeared on the small screen in starring roles such as The State Within, Brotherhood, and more recently, Case Histories.
Isaacs returns to television once more with his starring role in the new NBC series, Awake, which premieres March 1. The story follows Isaacs' character, Michael Britten, who after surviving a tragic car accident, finds himself awake in two separate and distinct realities. In one reality his wife Hannah died, and his son Rex survived. In the other, Hannah is still alive, but they lost their son. Britten cannot tell which reality is real and which is a dream, and refuses to give up either of them.
Britten is also a detective, and information from cases in both realities start to bleed through, giving him a special insight into solving them with his unique perspective.
Isaacs recently sat down with the digital media to discuss his new role and dual realities his character finds himself in.
Isaacs returns to television once more with his starring role in the new NBC series, Awake, which premieres March 1. The story follows Isaacs' character, Michael Britten, who after surviving a tragic car accident, finds himself awake in two separate and distinct realities. In one reality his wife Hannah died, and his son Rex survived. In the other, Hannah is still alive, but they lost their son. Britten cannot tell which reality is real and which is a dream, and refuses to give up either of them.
Britten is also a detective, and information from cases in both realities start to bleed through, giving him a special insight into solving them with his unique perspective.
Isaacs recently sat down with the digital media to discuss his new role and dual realities his character finds himself in.
I suppose it was inevitable that “Grimm” turn to that most tired of genre clichés, the “alien” gladiator games. How many genre shows have had an episode based on this premise, early in the series’ run? I think back to “Babylon 5”, an otherwise top-flight show, and how “T.K.O.” was one of its worst episodes in its entire run. Few series ever make it palatable, and “Grimm” is certainly no exception.
It’s come to my attention that there are those who feel that this season of “Spartacus” has been too slow, too boring, and generally lacking in the kind of well-oiled mechanics that made “Blood and Sand” and “Gods of the Arena” so addictive. I believe that this episode stands as a statement to those critics, as half a season’s plot threads come crashing down, along with most of the arena in Capua.
It’s amazing when a show can sustain a mystery for nearly four seasons, only to provide a resolution that is not only logical but deceptively simple. I can’t say that the origins/nature of the Observers is particularly shocking, since it was one of the many theories that has been tossed around since the beginning, but I love how it fits so perfectly with what we have seen.
It’s amazing when a show can sustain a mystery for nearly four seasons, only to provide a resolution that is not only logical but deceptively simple. I can’t say that the origins/nature of the Observers is particularly shocking, since it was one of the many theories that has been tossed around since the beginning, but I love how it fits so perfectly with what we have seen.