In season three of The Capture, A year since exposing the UK intelligence service’s clandestine video manipulation program, Correction, Rachel Carey (Holliday Grainger) has become the acting head of SO15 and is determined to win back the public’s trust in surveillance technology through the new Operation Veritas camera system. While demoing the system, the unthinkable happens. A shooter pulls off a well-coordinated act of terror that leaves behind only Carey as the witness, however, what she saw does not align with what their own cameras witnessed. The more she investigates, the further she is pulled into a conspiracy. With few people she can trust, what is she willing to sacrifice to find the truth?

Recently, Grainger spoke with SciFi Vision about the challenges of filming the intense opening attack sequence, Carey’s resilience and shifting moral compass, the changes to her relationships this season, working with the cast, and much more.

All episodes of three of The Capture launch tomorrow on Peacock.

The six-party high-society drama The Season, follows Cola Pierce (Jessie Mei Li), a naïve young American, who during the summer boating season insinuates herself among the rich elite of Hong Kong when she is taken under the wing of financial advisor Carrie Shen (Celina Jade) as an intern. Carrie introduces her to an myriad of characters, among them, playboy Andrew Fung (Chris Pang), recently divorced lawyer David Ho (Justin Chien), young widow, Madeline Wong (Yvonne Chapman), and most importantly, power couple Christopher (Toby Stephens) and Fiona Hext (Karena Lam). Hidden agendas eventually surface, and it becomes apparent Cola is there with an ulterior motive to seek justice for her family and take down the wealthy Hext family.

Recently, SciFi Vision spoke with Pang and Chien about how the wardrobe and environment helped define the world of the show, filming the party scene at the club, what places in Hong Kong stood out to them, and more.

PCCW Media and SK Global’s The Season streams exclusively on Hulu in the US starting today.

On the latest episode of FROM, Victor (Scott McCord) and his father, Henry (Robert Joy) are told by Boyd (Harold Perrineau) that Tabitha (Catalina Sandino Moreno) is the reincarnation of Miranda (Sarah Booth), Victor’s mother and Henry’s wife. The news causes Henry to continue to spiral, and with Sophia (Julia Doyle)’s interference, Henry is now seeings flashes of another reality where the town is just his dream during a coma, and he has a whole different life with Victor. Playing this “other” version of Victor was both exciting and terrifying, for McCord, who spoke with SciFi Vision last week. “I love the challenge,” he told the site, adding that the focus was to make it as real as possible. “Who is this guy? Everything about him. How does his heart beat? What's his life?...What is the story there? So, there was a lot of detailed work that helped get there.”

Joy, who was also part of the interview, talked about Henry’s mental state from what he’s seeing and how that life is attractive to Henry, because it gives him what he’s after. “What makes him really vulnerable here is that he, in From Town, wants to be the father, wants to be the caregiver, the protector, and then what he really needs is to be protected.” the actor explained, also saying that the question for him is whether there will be permanent damage to Henry after this.

In the quaint coastal town of Widow’s Bay, Mayor Tom Loftis (Matthew Rhys), determined to create a better future for his teenage son, is desperate to help put the town on the map by making it into an attractive tourist attraction, but he must contend with the superstitious locals who believe the island is cursed. Somehow, it works, but he soon finds out that the locals are right and the island is awake and no longer safe.

Recently, production designer Steve Arnold spoke with SciFi Vision about shaping the visual world of Widow’s Bay, including its deliberately remote, out-of-time look to the older technology, creepy welcome videos, and horror homages layered throughout the town. Arnold also discusses designing the sets such as the Salty Whale and Breakwater Inn, changing the town to 1702, and creating detailed props like the unsettling board games in episode two and the grimoire Patricia (Kate O’Flynn) uses in episode four.

New episodes air Tuesdays on Apple TV.

You’re Killing Me is a six-episode murder mystery series created by Robin Bernheim that recently premiered on Acorn TV. The series takes place in a small New England town and follows best-selling novelist Allie Chandler (Brooke Shields) and aspiring writer and true crime podcast host Andi Walker (Amalia Williamson) who reluctantly come together to solve a murder when Allie’s close friend is killed. The series also stars Tom Cavanagh as Jack Kerrigan, the new detective working at the local police department.

Star Williamson recently spoke with SciFi Vision about her love of true crime, what it was like working with Brooke Shields, the pressure of playing the lead in a series, and more.

New episodes air every Monday on Acorn TV.

In this week’s episode of FROM, Julie (Hannah Cheramy) gains some new insight when she and Randall (A.J. Simmons) read some of Ethan (Simon Webster)’s books on time travel, learning a new way to potentially control where she ends up. However, when Julie arrives at the massacre in 1978, things don’t go as expected. Cheramy, who spoke with SciFi Vision last week, talked about the experience of filming that scene. “That was an insane day,” said the actress. “It was a big mix of like, prop bodies, but then we had actual people laying in the streets just soaked in blood.” Cheramy also really liked how they dressed the set. “I loved how much they changed the town, all of the little details…They changed a lot to make to show that it's the past.”

The actress also talked about Julie’s drive this season to help her father “Her faith is really questioned this season,” she explained. “…[S]he starts with this place [of] being so determined, but a lot of that comes from just like, she's in so much denial about the loss of her father that, to her, it's almost like he's not even dead.” The actress added that Julie doesn’t know how but thinks she will figure it out, even when everyone around her doesn’t think it’s possible.

One of those characters of course is Randall, who’s been helping Julie out with the storywalking and has become almost like a big brother to Julie. “I love acting with AJ. It’s super cool working with him,” said Cheramy of Simmons.

The six episode limited series The Terror: Devil in Silver is based on Victor LaValle’s novel of the same name and follows Pepper (Dan Stevens), a blue collar moving man, who because of his bad tempter ends up committed to the New Hyde Psychiatric Hospital, an underfunded and deeply unsettling place where the staff, the patients, and the building itself all seem to conceal something terrible, perhaps even the Devil himself. He soon discovers that his only way out may be facing the entity that feeds on the suffering of the patients, but he may find out that the scariest demons of all are live inside of him.

Recently showrunner Christopher Cantwell and LaValle, who also serves as a showrunner, spoke with SciFi Vision about adapting the novel for television.

In the film Deep Water, directed by Renny Harlin, a plane flying from Los Angeles to Shanghai suffers an explosion and goes down in the middle of the Pacific Ocean. However, the survivors discover it’s not over yet, as the waters are infested with sharks. Ben (Aaron Eckhart), the First Officer, must fight to stay alive and lead as many of the surviving passengers as he can to safety.

Gene Simmons, who served as a producer on the film, decided to do the project because of the script and director. “I'm 100% sure it's the same thing that got a truckload of creative, wonderful people who wante to get involved in the film, from the bit players to the special effects people to the scenic designer, the cinematographers, special effects, everybody, it's that script,” Simmons told SciFi Vision, adding that Harlin as director is the “heart and soul” of the film.

Harlin also spoke with the site during the interview about creating the crash scene for the film, and highlighted the importance of small details in such a scene. “It's [tiny] details that make it really palpable and makes the audience relate to it and feel the reality of it,” said Harlin.

In this week’s episode of FROM, Tabitha (Catalina Sandino Moreno), was acting a bit irrationally, ready to jump through the faraway tree, which is due to her dealing with her grief over her husband Jim (Eion Bailey)’s death according to Moreno, who spoke with SciFi Vision last week. “I think that's part of grieving,” the actress told the site. “That's part of being broken…she needs to feel useful. She needs to find answers.”

“[B]ut I don't think she's a bad mother,” she added. “I think her drive is always thinking about protecting her children, but she's in this pressure cooker of despair and grief, and she just needs answers. And she got answers once, and maybe she wants to find them again...She's doing the best she can in a crazy place like FROM.”

The actress also spoke about whether Tabitha thinks Ethan (Simon Webster) really saw Jim, how she thinks people in the town might react if they find out what her character and Jade (David Alpay) learned, what it was like filming the scene where Tabitha first saw Jim’s body, and more.

Written and directed by Aaron Davidman, the film American Solitaire follows war veteran Sliner (Joshua Close) after returning home from combat and how he deals with the aftermath. In a country that often celebrates guns and glorifies violence, the journey to return to civilian life and find himself again won’t be easy. The film, which also stars Gilbert Owuor as Auggie and Joanne Kelly as Athena, examines the psychological toll of combat and hidden costs of serving in the military.

Writer and director Davidman, along with stars Close, Owuor, and Kelly, recently spoke with SciFi Vision about working on the emotional film, which is currently in theaters.